Wednesday, March 5, 2025

Video Scripts: The Mummy 3, Tremors 5, M3GAN 2.0

Sharing three videos that were written by Cody for the JoBlo Network.


I have been writing news articles and film reviews for ArrowintheHead.com for several years, and for the last few years I have also been writing scripts for videos that are released through the site's YouTube channel JoBlo Horror Originals. Recently I started writing video scripts for the JoBlo Originals YouTube channel as well. I have previously shared the videos I wrote that covered 

- Frailty, Dead Calm, and Shocker 

- 100 Feet, Freddy vs. Jason, and Pin 

- Night Fare, Poltergeist III, and Hardware 

- A Nightmare on Elm Street 3: Dream Warriors, Texas Chainsaw Massacre: The Next Generation, and It's Alive

- Dark City, Mute Witness, and The Wraith

- Army of Darkness, Cannibal Holocaust, and Basket Case 

Halloween timeline, The Pit, and Body Parts

- Halloween: The Curse of Michael Myers, Jason Goes to Hell: The Final Friday, and The Thing (2011)

- The Monster Squad, Trick or Treat, and Maximum Overdrive

- A Fish Called Wanda, Night of the Creeps, and Jason Lives: Friday the 13th Part VI

- Race with the Devil, Speed, and Romancing the Stone

- Maniac Cop 3, WarGames, and Night of the Living Dead (1990)

- The Rock, Witchboard, and Friday the 13th Part 2

- Intruder, Saving Private Ryan, and Big Trouble in Little China

- The First Power, Psycho (1960), and Hot Fuzz

- Cat People (1982), Bride of Re-Animator, and Con Air

- Moulin Rouge (2001), The Hills Have Eyes Part 2 (1985), and The Stuff

- Children of the Corn (1984), Bone Tomahawk, and Fight Club

- The Departed, Halloween 4: The Return of Michael Myers, and Ginger Snaps

- Silver Bullet, Last Action Hero, and Children of Men

- FleshEater, Christmas Vacation, and Lethal Weapon

- The Thing (1982), Monkey Shines, and Friday the 13th (1980)

- P2, Lethal Weapon 2, and Frozen (2010)

- Lethal Weapon 3, The Blob (1988), and Lethal Weapon 4

- The Fast and the Furious, Dance of the Dead, and The Rage: Carrie 2

- Puppet Master, 2 Fast 2 Furious, and Castle Freak (1995)

- The Fast and the Furious: Tokyo Drift, Fast & Furious, and Halloween III: Season of the Witch

- Fast Five, Dog Soldiers, and Tremors 3: Back to Perfection

- Drag Me to Hell, 3D '80s Horror, and unmade Mission: Impossible sequels

- Sleepaway Camp, Tremors 4: The Legend Begins, and 2001 Maniacs

- Gremlins, Furious 6, and Lone Wolf McQuade

- The Last Showing, Grindhouse, and The Texas Chainsaw Massacre (2003)

- Christmas Horror, Puppet Master vs. Demonic Toys, and Furious 7

- Drive (2011), 1986 horror comedies, and Alien: Romulus

- Murder Party, Twisters, and Hellraiser

- Black Phone 2, Super 8, Red State

- Longlegs, The Mummy (2017), Dead-Alive

- Mission: Impossible 8, When a Stranger Calls (2006), MCU Blade

- Stardust, Don't Tell Mom the Babysitter's Dead, Gladiator II

- Salem's Lot remake, Versus, Judgment Night

- Scream 7, Prom Night (2008), The Mummy (1999)

- Terrifier 3, Link, The Mummy Returns

- Parenthood, Nobody 2, Adventures in Babysitting

- Final Destination 6, Ginger Snaps Back, Nosferatu

- Jurassic World Rebirth, The Gate, The Electric State

- Terrifier, My Little Eye, Guillermo del Toro's Frankenstein

Three more videos that I have written the scripts for can be seen below, two for the JoBlo Horror Originals channel and one for the JoBlo Upcoming Movies channel.

First, I dug into the making of director Rob Cohen's Mummy sequel The Mummy: Tomb of the Dragon Emperor for the WTF Happened to This Horror Movie series: 

The Mummy: Tomb of the Dragon Emperor script:

Brendan Fraser saved the world from mummies twice. How can someone follow up success like that? By saving the world from mummies a third time! When he signed on for another Mummy sequel, he was working with a new director and new writers. Some of his co-stars were recast. Some were absent. But his task remained the same: stop the rampage of a power-hungry walking corpse. That’s what he set out to do in The Mummy: Tomb of the Dragon Emperor... and it’s time to figure out What Happened to This Horror Movie.

Fraser played treasure hunter Rick O’Connell in the 1999 reboot of the Universal Monsters classic The Mummy. And its 2001 sequel The Mummy Returns. Both movies were written and directed by Stephen Sommers – but Sommers had no intention of directing a third Mummy film. After making the second one, he was ready to work on smaller projects. Universal convinced him to make the monster movie Van Helsing instead of the little comedy he was hoping for... but when that was done, he still counted himself out of any further monster action. As he told Sci-Fi Wire, “I've done my Mummys. There may be a third Mummy, but I need to do a small movie about two girls chatting on a beach. A lot of people have been talking about sequels, but what they forget is that I'm the one who has to make it. I'm just tired right now."

So, while Sommers remained attached as a producer, Universal had to find someone else to write their next Mummy sequel. They turned to the writing duo of Alfred Gough and Miles Millar. The showrunners of the Superman TV series Smallville and writers of the Jackie Chan movies Shanghai Noon and Shanghai Knights. Their Shanghai movies had blended the martial arts, Western, and comedy genres, and the idea was to do something similar here: mix martial arts fantasy elements with the established Mummy elements of horror, comedy, and action adventure. Like Sommers drew from Egyptian history when writing scripts, Gough and Millar drew from Chinese history, basing the bad guy on the first emperor of China. Their story begins in ancient China, when the country was torn by civil war. A ruthless king conquered his adversaries to become emperor. He enslaved his enemies and forced them to build the Great Wall. Mystics taught him how to master the five elements; fire, water, earth, wood, and metal. But even with all his power, he couldn’t stop himself from aging. Seeking the secret of eternal life, he enlisted a witch named Zi Yuan to find the Oracle of Bones, a collection of mystical secrets. Including the secret to immortality. The emperor planned to make Zi Yuan his queen, but she fell in love with his second-in-command, General Ming Guo. When the emperor found out about this, he had Ming killed. So Zi Yuan placed a curse on the emperor and his army, turning them into terracotta statues. 

In early drafts, the emperor’s story was more closely tied to the story of the mummy in the previous films. He sought the secret of eternal life in the Egyptian city of Hamunaptra. And the spells came from a copy of the Book of the Dead, not the Oracle of Bones. But rewrites distanced the story from its predecessors. And simplified some of the action, weakening the Dragon Emperor’s supernatural powers. While adding in an ability to shape-shift. The writers initially envisioned the story as taking place in 1940. Seven years after the events of The Mummy Returns, in the midst of World War 2. Rick and his wife Evelyn were going to be working as spies for the British government when they stumble into the story of the Dragon Emperor. But the setting was pushed back to 1946. Just after the war. Rick and Evelyn did work as spies, but we missed that part of their lives. Now Evelyn is an author, writing romantic adventure novels that feature villainous mummies. And Rick is struggling with a boring life of domesticity. Their adult son Alex is the adventurer now. Tossed out of college, he’s participating in an archaeological dig in China that unearths the tomb of the Dragon Emperor.

Rick and Evelyn catch up with Alex when they’re asked to take an artifact called the Eye of Shangri-La to China. This contains water from the mystical valley of Shangri-La. And can be used to point the way to the Pool of Eternal Life. Believing the Dragon Emperor is what China needs in the wake of the war, a rogue military general resurrects the mummy. And they set out for the Pool of Eternal Life. Rick, Evelyn, and Alex have to stop the Dragon Emperor from gaining immortality and using his Terracotta Army to conquer the world. They’re aided in this mission by Evelyn’s brother Jonathan, who runs a mummy-themed nightclub in China. A pilot called Mad Dog Maguire. And a mysterious woman named Lin, who wields a cursed dagger she says can kill the Dragon Emperor. She’s also able to communicate with the yetis that live in the Himalayas. So we get some Abominable Snowman action in this movie, too.

Universal’s biggest franchises are the Jurassic films and the Fast and Furious series. So they turned to Jurassic and Fast and Furious directors when they needed to replace Sommers. Their first choice was Joe Johnston, who had made Jurassic Park 3 for them. But he passed on The Mummy 3. Soon after, he did agree to direct a reboot of The Wolfman. The next choice was Rob Cohen, director of The Fast and the Furious. When Cohen first heard what he was being offered, he was skeptical. He doesn’t even direct sequels to his own movies; why would he want to make a Mummy sequel? But then he saw what Gough and Millar had written – and this turned out to be the right script at the right time.

Cohen had been developing a new version of The Eighth Voyage of Sinbad for Columbia Pictures. It was set in eighth-century China, with Sinbad – to be played by Keanu Reeves – searching for the Lamp of Aladdin. On this quest, he would meet a beautiful empress, battle fantastical creatures, and face off with a rebellious Chinese general who had supernatural powers. That project fell apart. And The Mummy: Tomb of the Dragon Emperor was so close to what Cohen wanted to do with The Eighth Voyage of Sinbad, he couldn’t turn it down. He took the job – and, as the Dragon Emperor, he cast the actor he had in mind for that supernaturally powered Chinese general: Jet Li. Who Gough and Millar had written for when they worked on Lethal Weapon 4.

Brendan Fraser was locked in to reprise the role of Rick O’Connell. With John Hannah returning as Rick’s brother-in-law Jonathan. Luke Ford was cast as Rick and Evelyn’s son Alex, and he signed a contract for multiple films. There was a possibility that this movie could serve as a passing of the torch from Rick to Alex. And Alex would be the lead in future sequels. Isabella Leong was cast Lin, who becomes Alex’s love interest as the story plays out. Liam Cunningham was cast as Mad Dog Maguire. Russell Wong as the ill-fated General Ming Guo. Anthony Wong, Jessey Meng, and David Calder as the villains who conspire to resurrect the Dragon Emperor. To cast the emperor’s nemesis Zi Yuan, Cohen chose another superstar of Hong Kong cinema to take on Jet Li: Michelle Yeoh. Speaking with Fangoria, Yeoh revealed, “What drew me to the role was Rob’s respect toward Chinese culture, the Mummy series, and the fun-loving adventure this film was presenting. ... I read the script and it was about the terracotta warriors, and them coming back to life. I like the way the film uses history, and these kinds of stories can appeal to the younger generation. I’d love to pique their curiosity with something like this, where they can say, ‘Wow, how cool is Shanghai or China, and how cool is the Great Wall and the emperor who could do this.’ Hopefully, this movie will make them want to know more about these parts of Chinese culture and history.”

Rachel Weisz was asked to return as Evelyn. Some reports say she didn’t like the script. Others say she didn’t want to spend months filming in China when she had a child at home. Whatever the reason, she chose not to play Evelyn a third time. She was replaced by Maria Bello, fresh off her role in A History of Violence. Many fans were disappointed that Weisz didn’t come back. Bello has a very different look and vibe than the actress she was replacing, so it is jarring to see her in the role. As Bello has said, this Evelyn “has the same name, but she is quite a different character. (Rob Cohen) created a new Evelyn.”

Cohen was not a fan of goofy humor or slapstick. Both of which had been prevalent in the previous films. So he allowed the film to have a sense of humor, but removed some of the jokes and silliness. He was aiming to make something that was still exciting, but more grounded. With an emotional family story at its core. The tone of Raiders of the Lost Ark was his guide. While some scenes were shot in England and Canada, much of the production took place throughout China. And the cast and crew had to deal with some intense conditions while working there. But Cohen named the script revisions and the special effects as the biggest challenges. The movie has over nine hundred visual effects shots, with most of those coming in the climactic sequence. Two months before the release date, there were still three hundred effects shots left to complete.

But the effects companies got the work done. And The Mummy: Tomb of the Dragon Emperor was released in August of 2008. It was a bit less successful than the previous movies. The Mummy had cost eighty million dollars and made four-hundred and seventeen million at the box office. The Mummy Returns cost ninety-eight million and made four-hundred and thirty-five million. The budget for this one was substantially higher; one hundred and forty-five million. But its box office haul was lower; just under four hundred and six million. Still, it did well financially. Where it really fell short was in the reception from critics and movie-goers. Rotten Tomatoes reports that only sixty-two percent of the first movie’s reviews were positive. But the audience score was seventy-five percent positive. Just forty-six percent of The Mummy Returns reviews were positive, but the audience score was still at sixty-three. Tomb of the Dragon Emperor fell short in both categories. Only thirteen percent of the reviews were positive, while the audience score fell to thirty percent. Fans were let down.

Universal considered making another sequel for a while. Brendan Fraser might have battled Antonio Banderas in The Mummy: Rise of the Aztecs... but it wasn’t to be. That idea was scrapped in favor of the 2017 reboot starring Tom Cruise. Which turned out to be a bigger disappointment for the studio, even though it also made four hundred million at the box office. As far as fans and critics were concerned, the Rick O’Connell era of Mummy movies came to an underwhelming conclusion... But there are still some holding on to hope that Fraser will return to the franchise someday. So they can follow Rick on another mummy-filled adventure. They might get their wish.* But for now, at least we have an entire Rick O’Connell trilogy to turn to any time we want to see some crazy mummy action.


Also for the WTF Happened to This Horror Movie series, I wrote about director Don Michael Paul's Tremors 5: Bloodlines: 

Tremors 5: Bloodlines script: 

A script that sat on a shelf for ten years. A creative team that was told their opinions were not welcome. A location change from Australia to South Africa. Tremors 5: Bloodlines did not have a smooth, peaceful journey to the screen. But it did give us the chance to watch survivalist Burt Gummer fight Graboids again. And today, we’re going to find out What Happened to This Horror Movie.

The production company Stampede Entertainment was formed by S.S. Wilson, Brent Maddock, Nancy Roberts, and Ron Underwood. The team that was behind the classic 1990 monster movie Tremors. Which was a Universal release. And when Universal decided they wanted direct-to-video Tremors sequels and a TV show, they turned to Stampede to provide them. As the new century began, Universal was keeping Stampede quite busy. Tremors 3 was released in 2001. Thirteen episodes of the TV series aired on Syfy in 2003. Tremors 4 was released in 2004. And Universal was feeling so good about the franchise, they had Stampede start developing Tremors 5 while they were still working on the fourth movie. By the time Tremors 4 came out, Wilson and Maddock were already writing the script for Part 5. Based on a story they had crafted with Roberts. There was even talk that this one might have a bigger budget. And get a theatrical release, like the original film.

Tremors told the story of subterranean, prehistoric creatures called Graboids attacking the isolated town of Perfection, Nevada. Tremors 2 was about surviving characters, including survivalist Burt Gummer, played by Michael Gross, agreeing to deal with a Graboid problem in another location. The original idea was to set the sequel in Australia. But it ended up being changed to Mexico. For Tremors 5, Stampede decided to circle back to the Australia idea. Sending Burt on a monster hunt in the Outback. Each sequel added something new to the Graboid life cycle until we had seen every step of it. If Graboids are around long enough, they will metamorphose. Splitting open, with two-legged, heat-seeking creatures called Shriekers emerging from their bodies. Given enough time, Shriekers will then metamorphose into Ass Blasters. Two-legged creatures that mix flammable chemicals in their rear ends so they can blast themselves into the air. Ass Blasters lay Graboid eggs. And Tremors 4 had shown us what baby Graboids look like. For his Outback adventure, Burt would be dealing with Ass Blasters, baby Graboids... and an Australian species of Graboid that would be bigger, weirder, and look somewhat different.

Unfortunately, the franchise hit a roadblock. Despite decent ratings, the TV show was cancelled after one season. Universal released Tremors 4 with almost zero promotion at a time when the DVD market was crumbling. So it was a financial disappointment. They decided to hold off on making Tremors 5... And so began a long waiting period. Fans knew Tremors 5 had been in the works. They knew Wilson and Maddock had written a script. But Universal wasn’t interested in moving forward with it. As years went by, the chances of the sequel being made looked less likely. Stampede tried to keep hope alive. Every time there was a regime change at Universal, there was a chance the new executives might greenlight more Tremors. Interest in Tremors 5 spiked at Universal in 2008, then died down again. Stampede tried to make a deal to have an independent producer raise the budget. But talks with the studio fell apart. The sequel appeared to be doomed. Then, the situation took an unexpected turn. Stampede had a right of first refusal in their Tremors 5 contract. Meaning that if Universal wanted to make it, they had to offer it to Stampede first. If Stampede declined to be involved, they could take it to someone else. Right when that first refusal clause lapsed in 2014, Universal decided they were finally going to make the movie. Without Stampede.

As Wilson told One Heat Minute, when Stampede heard that Tremors 5 got the greenlight, “Nancy asked Universal whether they wanted Brent or I to direct. They told her neither of us were going to direct or even be remotely involved in the film. We were floored. It didn’t make creative sense, and it didn’t make financial sense. The story they gave us at the time was that they needed a team that did low budget movies. But the sequels we made were all low budget films. That clearly wasn’t the real reason, and we never were able to find out what the real reason was.” Universal said they could give the Stampede team executive producer credits. But they’d have little say in any creative decisions. In that case, they chose not to put their names on the movie at all. 

The previous films were all directed by either Wilson, Maddock, or Underwood. With Stampede shut out, the director of Tremors 5 had to be someone completely new to the series. Universal chose Don Michael Paul, a go-to director for direct-to-video action movies and creature features.

The 2004 script needed some revisions. And the setting had to be moved from Australia to South Africa, one of the top destinations for low budget productions. Someone who had previous Tremors experience was brought on to handle the rewrites: John Whelpley, who had worked on the script for Tremors 3. Whelpley changed things up, but the finished script for Tremors 5 was still close enough to what Wilson, Maddock, and Roberts had written that all retain credit. They opted for pseudonyms: Woodrow Truesmith, which was the name of a character from the 1944 film Hail the Conquering Hero.  M.A. Deuce, which is a gun. And C.J. Strebor. Note that Strebor is Roberts spelled backwards.

The basic story remains the same. Ass Blasters and Graboids have shown up in a new country. Now South Africa instead of Australia. Burt Gummer is recruited to handle the problem, since he has a lot of experience with these creatures. But when he arrives for the hunt, he finds that he has been provided with insufficient weapons. And his employers, who haven’t been completely honest with him, want him to capture an Ass Blaster alive. Since Burt is still the lead character, it meant fans would expect him to be played by Michael Gross. Who had been in all of the previous movies and the TV series. He was even in the prequel, where he played one of Burt’s ancestors. Would he agree to make the movie without Stampede? 

He did, but he admitted to Famous Monsters of Filmland that it was an awkward situation. “I felt there had been a divorce in the family and I was the child in the middle. Stampede had the will and the passion, but they did not own the property. So it was either sit out this dance and they’ll reinvent the franchise without Burt, or here’s a chance to do Burt again.” Gross then found himself in the position of trying to protect the franchise. He said, “Because we had a different director who hadn’t done this before, there were certain things we would disagree on. I’d say, ‘Burt can’t say that, because it’s not factually true.’ So there’s a real balancing act without the original writers there to ultimately say, ‘No, that can’t be done.’”

Whelpley’s rewrite changed the supporting cast. Removing a character that was meant to be a love interest for Burt. And giving him a sidekick named Travis B. Welker. Who is eventually revealed to be Burt’s son he never knew existed. The result of a one night stand back in the ‘70s. Jamie Kennedy was cast as this character, who proves to be quite helpful. Even though his constant quips can get irritating... But pretty much everything annoys Burt in this movie. He’s in a very grumpy mood most of the time.

Also removed were the baby Graboids. Replaced by a strange new evolutionary twist. The tentacles Graboids use to pull things into their mouths can now detach and go hunting for prey on their own. The tentacles are basically just Graboid tongues, so it’s weird to see them become separate creatures. But the Graboids and Ass Blasters in this movie are very different. They’ve been re-designed from the ground up – and these changes didn’t go over well with some fans. The Ass Blasters look over designed and nothing like they did before. The Graboids, said to be larger and more dangerous than the others we’ve seen, are presented in an over-the-top way. Always launching themselves out of the ground and catching air. The changes are unnecessary. And it’s not likely that the original Tremors would have endured if it had Graboids like these in it. But it’s part of how Universal wanted to make this sequel different.

Of course, the folks at Stampede weren’t too pleased with all of this. Universal invited S.S. Wilson to a private screening of the finished film. His reaction: “I couldn’t have been more horrified. By halfway through, it was clear that it wasn’t anything we would want to do. I kept hoping it would get better, but it just got steadily worse. There was just a whole list of things that I felt were wrong with it. It’s got some of the worst monster movie clichès, the types of things we’d laugh at as kids. There were terrible homages to Jurassic Park. It’s quite a long list.”

The Stampede team absolutely should have been involved with the making of Tremors 5. They are this series. The style and tone of the movies and the TV show were a reflection of their sensibilities to this point. That is a big part of why the fans have loved the franchise so much. Tremors 5 is still tied to them, it is a revised version of their words, but it’s different from what a Stampede movie would have felt like. Without their guidance, a lot of questionable decisions were made. The new versions of the monsters are underwhelming. The movie has an odd preoccupation with bodily fluids, featuring urine in five different moments. Burt is unusually unpleasant. And it feels darker and rougher than its predecessors. At times almost to an off-putting degree. But it was still nice to see the movie get made. It’s always fun to watch Michael Gross battle these monsters. And it finally closed the Tremors 5 chapter of the franchise. After a decade of waiting.

Tremors 5: Bloodlines was given a physical media and streaming release. And proved to be a success. Fans were glad to see the franchise return after so many years. Its success paved the way for two more sequels that were made without the involvement of Stampede. Michael Gross came back. Burt Gummer continued fighting Graboids, Shriekers, and Ass Blasters. More questionable decisions were made. But there was still fun to be had. And the silver lining here is that, as of 2024, the U.S. copyright to Tremors is in the hands of Stampede Entertainment. They lost control of their series for a while. But now their monsters have come back home.


I also put together an article on everything we know (so far) about the M3GAN sequel M3GAN 2.0, and that served as the basis for this video:



More video scripts have been written, so another batch of videos will be shared here on Life Between Frames eventually. In the meantime, keep an eye on JoBlo Horror Originals and JoBlo Originals!

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